hoice of typeface can make or break a design. That goes for pages (web and print), sentences, words — as a matter of fact, typeface can quite literally make or break a single letter! Just ask the comic sans haters. Designers have been well aware of the importance of typeface for over a century, and the history of these deliberate and deeply thought-out forms can be downright amazing. The appropriately named Futura, for example, is as relevant today as it was at the time of its creation almost 90 years ago. The makers of this font saw more than just “good design” in their creation; they saw the makings of a maximally efficient society — a utopia. Here is the story.
26+ Zeichen: Edelsans In 1922, German professor Jakob Erbar created the first ever geometric sans-serif typeface (above). influential Bauhaus school of design, the typeface aimed for a pure functionality, with no ornamentation or individual characteristics. It is sms marketing service based on the circle — the most fundamental of all typographic components — and is supremely easy to read, which is a typeface’s basic function after all. The Bauhaus designers believed in a world where form and function destroyed ornamentation, clutter and revivals of the more decorative past. Only in this world could social equality truly come into being, they believed. It would be utopia by design.